Jack Parsons Rune Soup Interview

Jack Parsons

 

June 17th was the anniversary of the death of fabled rocket scientist occultist Jack Parsons. He is very much a current concern with the CBS TV series Strange Angel having first aired the previous week.

 

I was very pleased to be able to record another Rune Soup interview with Gordon White on June 17th and to now post it on the summer solstice.

Parsons is a subject I have covered at length in my Crowley book and also my video lecture on the Babalon Working so I was mindful of wanting to provide some fresh material. To that end, there is a typically odd personal story of how I came to feel so connected to the topic and also some thoughts on Jack and the Beat Generation. I also expound on my feeling s concerning the centrality of Gnosticism in understanding Jack’s magical life.

 

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When Magic and Fiction Meet. Video Lecture

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This is a presentation I gave to  Glastonbury Positive Living Group on March 7th 2018. It features material from my Atargatis book and served as part of the extended launch process that had begun at the Glastonbury Occult conference a few weeks before.

The lecture concerns a subject that has fascinated me since 1990: the mysterious synchro zone where magic meets fiction and powerful processes are activated. There are a number of personal stories here of high strangeness that feature Robin of Sherwood, Twin Peaks, and Dion Fortune’s Sea Priestess.

 

 

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Magical Timing & Personal Synchronicity Rune Soup Interview

Rune Soup March 1st Interview

 

I was fortunate to have another chat with Gordon White about my Atargatis book. I spoke to him last November about the extensive process involved in the creation of the cover. This time I talked about how much psycho-active voltage accompanied the completion of the book up to the very last moment as it went to the publishers.

Once it had arrived, I was then able to launch it at the Glastonbury Occult Conference. This proved to be a wildly expansive scenario.

Check out the power of a Glastonbury Occult Conference for yourself. 2019 is already being set up. I’m giving a presentation. Glastonbury Occult Conference 2019

We go on to discuss my methods of engaging with synchronicity and working with timing that has special personal associations.

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Atargatis Book Now Available

 

 

My new book is now available on Amazon UK and USA.

Buy the Book on Amazon UK

Buy the Book on Amazon USA.

350 pages. £15.99

 

From the back cover.

A wild story of complete immersion in a magical mystical lifestyle.

An Astonishing East-West New Age Blend.

 

A Goddess Extravaganza.

Atargatis, Ishtar, Astarte, Asherah, Tanit, Isis, Babalon, Inanna,

Nuit, Aphrodite, Lilith, Matronit, Shekhina.

Psychic Questing.

Green Stone, Sobek Neferu Re, Typhonian Thames,

 The Temple of the Blue Flame, St Bega: the Egyptian star,

 Avebury Form of the Serpent, Dream Demons,

Egyptians and Phoenicians in Ancient Britain.

Magical Fictions.

Twin Peaks, Robin of Sherwood,

Jewel of the Seven Stars, The Sea Priestess.

Locations across Time and Space.

Margate Seashell Grotto, Hierapolis, Glastonbury,

Hadleigh Downs, Babylon, Shambhala, Brean Down.

Also Includes:

UFOlogy, Fellowship of Isis, Tibetan Buddhism, Past Lives,

Reiki, 11:11, Dolphin Channelling, Rebirthing.

Featuring:

Dion Fortune, Aleister Crowley, Kenneth Grant, HP Lovecraft,

Whitley Strieber, Carlos Castaneda, Andrew Collins, James Rendell Harris,

Jose Arguelles, Morien O Morgan, Solara, Graham Phillips, Timothy Wyllie,

 Elagabalus, James Joyce, Cunning Murrell, Ozric Tentacles.

The Gurus.

Osho Rajneesh, Swami Muktananda,

 Sai Baba, Meher Baba.

Create your own Synchronicity.

 Hack your destiny code.

 

There aren’t many books with this kind of mix!

 

Buy the Book on Amazon UK

 

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Nicholas Roerich Video Presentation.

 

I recently did a presentation for the Glastonbury Positive Living Group on the life and work of mystical artist explorer Nicholas Roerich who quested in search of Shambhala. His concept of Art for Peace inspired an international pact that influenced Jose Arguelles. His unique odyssey took him from helping to create the legendary Rite of Spring ballet to journeys into Central Asia. I discussed his expansive life and put it into a wider context of the esoteric and political history of the time. There were of course plenty of visuals of his numinous paintings.

It was gratifying to be able to put on such an event on the exact anniversary of his death as the date fell this year on a day that the Glastonbury Positive Living Group were meeting. There was further resonance for me as I put on the same presentation exactly twenty years earlier to mark the 50th anniversary of his death. I used the same lecture notes again.

All of the material included in the lecture will be one day included in my work-in-progress Aquarian Phoenix, the  follow-up to Avalonian Aeon.

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Atargatis Rune Soup Interview

I have been engaged throughout 2017 in writing a book named Atargatis. As always, the cover imagery is very important to me. I am very lucky to be able to call on the services of the prodigiously talented Yuri Leitch to execute whatever design I create. In this instance, the process became very interesting indeed. I talk about it at length in an interview with Gordon White for his legendary Rune Soup podcast.

I also discuss some of the contents of the book relating to Kenneth Grant and mysterious Egyptian Pharaoh Sobek Neferu Re. I hope this will generate some interest in the book for when it is finally finished which I anticipate should be early in 2018.

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St George and Glastonbury

St George with sword, rather than spear and dragon.

 

 

St George is the patron saint of England. He is known primarily for slaying a dragon with a spear and most versions of any story of his life one is likely to read will tell how he hailed from the Near East. In Glastonbury we can see to this day, in the High St, a relic of a far stranger variant version that was commemorated here during the medieval era.

George was nobly born in Coventry. His mother died in childbirth and his father Albert was so consumed by grief that he was unable to prevent an enchantress named Kalyb or Calyb (generally a male name) from stealing the baby. George was raised by this woman who gave him armour, a shield, and a horse called Bayard when he came of age. The shield bore no heraldic design as Kalyb did not want him to discover his true identity. He was tasked with finding a sword for himself.

Releasing six other knights from imprisonment by Kalyb, George led the group to Glastonbury. His blank shield immediately attracted attention. A powerful relic had been left there by Joseph of Arimathea. It was a sword named Meribah. Formerly owned by St Peter, it had been used by him in the Garden of Gethsemane to cut off the ear of a man named Malchus in the tumult surrounding the arrest of Jesus. This led to the final healing miracle when the ear was restored on its owner’s head. The pommel of the sword had been made in Glastonbury but the blade was original.

In the typical manner of such tales, a wicked knight had let it be known he intended to take the sword. George faced him in combat using the very sword itself and defeated him but not without receiving a severe shoulder wound. At first, the blood poured in a vertical stripe down his shield. He then fell over sideways as another stripe created the now familiar cross. His subsequent coat of arms and the flag of England itself were determined by this event. It was also clearly seen that the sword Meribah should be his.

The story is full of details that don’t exactly sit well with the historical record. The Abbey is portrayed as an institution broadly in its medieval, or at least Saxon, form. It has an Abbot. This was not the case during the time associated with the life of George. As well as using the holy sword, he jousts with the wicked knight in a decidedly medieval manner unknown during what was still the time of the Roman occupation.

 

 

The George and Pilgrim Inn in Glastonbury High St, dating from the later years of the Abbey, was originally just the Pilgrim Inn and only took on the George designation in the nineteenth century. It does provide a glimpse of the strange version of the George story and serves to anchor it and keep it in some sense alive down into the present day.

 

 

Heraldic devices carved in stone over the entrance date from the time of the construction of the current form of the building, around 1475. The Royal Coat of Arms, the lion and the unicorn, are flanked by a shield with the cross of St George and another with no design at all. The current pub sign shows George not with a spear and dragon but simply his sword. An older version did show the dragon. I prefer to believe that something seeks to preserve the local version of the story.

 

 

I love the weird old tales of the saints, regardless of any arguments about their historicity. The Glastonbury George tale tells us that the design of the flag of England itself, that became integrated into the union flag of Britain, was formed by an event in Glastonbury. The mythically inclined can potentially get a lot of mileage from that. As for the idea that George was raised by some kind of witch in the woods who gave him armour, a shield, and a horse, there’s a pagan remodelling of that tale surely waiting to be told.

 

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Joseph of Arimathea and the Soul Poetry of Glastonbury

Joseph of Arimathea

 

Today March 17th, as well as being the famous Feast of St Patrick, is also one of the feast days of Joseph of Arimathea and it is a date on which I always pause to contemplate him.

There are a number of legends entrenched in Glastonbury, stories concerning Joseph of Arimathea and King Arthur, that no amount of academic debunking can dislodge. This can annoy the hell out of historians, especially when hearing such stories uncritically retold as if they were of the same level of data as the Battle of Hastings or the Fire of London. The infuriating or inspiring thing about Glastonbury is how the real history, and it is indeed a remarkable one, and the mythology, are so difficult to separate. They feed into each other.

I try and appreciate what it might be about Glastonbury that could not only support the creation of such mythology but powerfully sustain it through the catastrophic destruction of the Abbey during the Dissolution of the Monasteries and on into a modern regeneration. It is really not as simple as the base motives of forgery and a desire to make money from pilgrim credulity.

In Avalon of the Heart Dion Fortune wrote ‘that the poetry of the soul writes itself at Glastonbury.’ I have happily adopted the term soul poetry for celebrating the numinous charisma of the place. I believe that the landscape of the area can have a profound effect on what might be called the higher emotions, the part of us that can appreciate a work of art, poetry, music. A sunrise or sunset seen from Glastonbury Tor hits the same spot. The Glastonbury myths are a work of art. A work of art that is alive and mutable for each new generation but carrying something distinct and eternal.

 

 

It is at the beginning of the Roman era that one of Glastonbury’s greatest mythological events is supposed to have occurred. Joseph of Arimathea, who the New Testament tells us provided the tomb for Jesus, journeyed from Palestine to make his home in Somerset, either in 37 or 63 AD. No written forms of this story exist prior to the Norman Conquest. This mythos has become perhaps the most enduring of all Glastonbury tales, resolutely refusing to dissolve before the sceptics. It’s one of those classic Glastonbury stories that attracts or repels people with equal force. Geoffrey Ashe makes the interesting point that academics often react just as irrationally as mystical space-cases to this material. The derisive tone of many detractors can be every bit as emotive as the devotional mystic. The Joseph story has left us with perhaps the last functioning medieval-type saintly relic. Supposedly he arrived at Wearyall Hill and planted his staff into the ground. It sprouted and became the famous Holy Thorn. The current form of the story doesn’t appear during the days of the Abbey but the thorn is of a type originating in the Middle East. Perhaps a Crusader brought it.

The Arimathean mythos has impacted significantly on the greater life of the nation. An extreme form of the tale has Joseph as the uncle of Jesus. He comes to Britain with the young Christ as part of an involvement in the Cornish tin trade. It appears to be this idea that inspired William Blake to write the words that, now known as Jerusalem, have since been set to music and become our “second national anthem.”

“And did those feet in ancient time

Walk upon England’s mountains green?”

It is a measure of the potency of the mythos that when the tree was decapitated in 2010 it made newspaper headlines around the world and saw people crying in the streets of Glastonbury.

I’m not quite sure if the sceptical academics and general haters of Glastonbury would like to remove all such manifestations from our culture. I would refer them to the works of Jung, Joseph Campbell, and Mircea Eliade concerning myth as a vital natural human function, necessary to the health and sanity of the individual and body-politic, and a measure of the well-being of the society it arises from. I would affirm that there exist certain special numinous places, somehow able to inspire the tribal tales that any culture needs to understand its identity and needs, its potential destiny. As Geoffrey Ashe connected me ever more strongly to its history, I became increasingly convinced that Glastonbury seems to be such a place, a place where history and mythology, two hemispheres of one greater brain, are almost impossible to separate.

Early on in her magical career, Dion Fortune worked as a medium for Frederick Bligh Bond. In an anticipation of her later opinions concerning Arthur, Merlin, and Morgan, she stated that Joseph of Arimathea was not a solitary individual but a title. Likewise, the Holy Thorn tradition predated Christianity. There had once been a major mystery cult centre in Glastonbury on Wearyall Hill. People came from the Middle East in ships of the tin trade to receive initiations there. There was a strong Druidical elemental flavour to the work. This is of course seemingly crazy Glastonbury stuff but it has a strange potency that clearly partakes of the magic of the landscape and offers another entry point into the Avalon of the Heart.

In my video, A Glastonbury Abbey Dream, I try and evoke its soul poetry.

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Star of Ishtar True Will Self Divination Video Presentation

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In 1992, in the midst of a Babylonian past-life saga and the energy blast of initiation into Reiki and Osho Sannyas, I experienced a coming together of all my interests in time and synchronicity into a system of knowledge based on the eightfold wheel of the year that gave me a glimpse of a higher-dimensional form in which the mystery of my true identity resides, the ‘Star of Ishtar’. This is a presentation, given in Glastonbury in January 2017, of that material, full of typical tales, expanding on ideas from previous lectures, which contains many actionable takeaways potentially of use to anyone.
I’m currently writing a book entitled Atargatis. This is a major project, tacking a wide subject range, that attempts to do justice to one of the great adventures of my life. All of the material in the video will be included in the book.
I mention in the talk that listening to a particular track from Ozric Tentacles began the episode at the core of the material so I include it here to enhance the flavour.
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New Book: The Michael Line, the Qabalah and the Tarot

New Book: The Michael Line, the Qabalah and the Tarot.

 

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Buy the Book on Amazon UK

 

Buy the Book on Amazon USA

 

 

In the lead-in to my presentation at the recent Glastonbury Avalon Tarot Conference I wondered if it might be possible to rapidly manifest a short book on my presentation. I’ve been giving public lectures on this material for over twenty years and I have long felt that a book would result eventually. In the midst of crazy circumstances, I managed it.

 

From the back cover.

 

The Michael Line,

the Qabalah & the Tarot

is a unique adventure that brings together

the Earth Mysteries, Psychic Questing, magic, art, creativity,

 history, and mythology,

 in a powerful blend that presents

 a transformative way of approaching a sacred landscape.

Includes

The Archangel Michael and his Age.

The Paths of the Dragon.

A Maltwood Mystery and the Sun and the Serpent.

The Green Stone and the Lights of Knowledge.

Ancient Egyptians in Britain. A Qabalistic path.

Albion Rising: the 1991 Michael Line Rally.

Landscape tarot and artefact retrieval.

  1. General Election Cycles of Time.

Aleister Crowley and Dion Fortune.

  1. Royal Wedding Cross of St George.

Seven Barrows and the Belinus Line.

Featuring

Graham Phillips, Dion Fortune, Paul Broadhurst and Hamish Miller,

Rudolf Steiner, John Michell, Aleister Crowley, William Blake,

Andrew Collins, Katharine Maltwood.

 £9.99

Buy the Book on Amazon UK

Buy the Book on Amazon USA

 

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